D.153.1 Fabric armchair

D.‎153.‎1 is an armchair with brass construction and Punteggiato velvet covering planned by Gio Ponti in 1934, in the shades of the Molteni collection.‎ Other covers are additionally accessible: two-tone cowhide and fabrics and calfskins from the Molteni collection.‎ Designed in 1953, the D.‎153.‎1 armchair is essential for the furniture of Gio Ponti's private house in by means of Dezza in Milan.‎ This re-release is delivered by Molteni&C dependent on the first drawings from the ponti archives.‎ Brass structure, cover in bicolor white-blue calfskin or Punteggiato fabric, planned by Ponti for Rubelli in 1934.‎ The fabric reevaluates the deep rooted strategy of velvet-weaving, carrying it in the know regarding contemporary examples, for example, close arrangements of staggered plates with different degrees of colour.‎ Exhibited at the Salone del Mobile 2012, the D.‎153.‎1 seat improves the Gio Ponti outfitting Collection.‎ FINISHES Made with brass frame.‎ COVERS - Two-hued cowhide White L212/blue L100 Paper white S1211/sand S1222 Dove dim L209/dull brown L216 - Punteggiato velvet planned by Gio Ponti in1934, in colors from the Molteni Collection range - Fabrics and calfskins from the Molteni Collection range The eliminate of cover should be finished by a talented person.‎ Available in fireproof rendition (TB117 and BS5852).‎ TECHNICAL INFORMATION UPHOLSTERED STRUCTURE Frame in strong Fir (Picea abies) with versatile lashes, shrouded in custom polyurethane in various thicknesses.‎ Bonded velveteen lining.‎ ARMREST In strong Fir canvassed in custom polyurethane.‎ Bonded velveteen lining.‎ LEGS In heat-fixed steel with a silk brass finish.‎ Feet in non-slip plastic.‎ OUTER COVER Molteni&C is reconsidering its own set of experiences with an eye to the future.‎ The 80!Molteni presentation, the formation of the organization's recorded document and its as of late introduced Molteni Museum have given a chance to recovery, from the beginnings of modernity.‎ Intriguing follows have risen up out of a past that ends up being contemporary, ready for a reexamine today.‎ Unique pieces that can step straight out of their gallery features and into our contemporary homes.‎